Main Image. L-R Architect Jamie Fobert, Maria Balshaw, director of Tate art museums and galleries, Anne Barlow director Tate St Ives and Mark Osterfield, Executive Director Tate St Ives
Tate St Ives receives a £100,000 Art Fund prize and was chosen from five finalists including Brooklands Museum (Weybridge), Ferens Art Gallery (Hull), Glasgow Women’s Library and The Postal Museum (London)
Each of the other finalist museums received a £10,000 prize in recognition of their achievements at an award ceremony at the V&A, London
Judge and artist Melanie Manchot, speaking about her visit to Tate St IvesThe extension has not so much been an addition as a complete re-imagining ... for me, it was a profound experience
The Art Fund Museum of the Year is the biggest museum prize in the world and seeks out and celebrates innovation, imagination and exceptional achievement in museums and galleries across the UK.
Tate St Ives reopened in October 2017 following a £20m refurbishment of its galleries and the addition of a new extension by architect Jamie Fobert. The gallery celebrates the important contribution of 20th-century artists who lived and worked in Cornwall. As well as the new spaces Tate St Ives offers, judges were impressed by its connectivity to communities across the county. Tate St Ives’s renewed engagement with the local community, the said, who played a central role in the 12-year consultation which informed the gallery’s architectural scheme, has meant that more than 7,000 people have registered for the new annual St Ives Locals Pass.
“Tate St Ives tells the story of the artists who have lived and worked in Cornwall in an international context,” said Stephen Deuchar, Art Fund director and chair of the judges. “The new extension to the gallery is deeply intelligent and breathtakingly beautiful, providing the perfect stage for a curatorial programme that is at once adventurous, inclusive and provocative. The judges admired an architect and gallery team who devoted some 12 years to this transformational change, consulting with the local community all the way.”
Judge and artist Melanie Manchot, said that as soon she walked into the redeveloped Tate St Ives she had an ‘amazingly strong feeling that they’re doing something innovative’. She said she had visited before ‘but now the whole building, the galleries, the views all feel different – they have been given a new lease of life’.
She said: “The extension has not so much been an addition as a complete re-imagining. I was deeply impressed by the passion and knowledge of their guides to the collection and exhibition – all local to the gallery. Though they were closed for 18 months during their redevelopment they kept their members, which I feel speaks to a sense of belonging and a new Tate St Ives so much more embedded in its community. For me, it was a profound experience.”
Last year’s winner was The Hepworth Wakefield, which intends to spend the prize money on a new acquitition and to go towards a new landscaping project. Previous winners include the V&A (2016), The Whitworth in Manchester (2015) and Yorkshire Sculpture Park (2014).
